Francesco Hayez
1791-1882 Italian Francesco Hayez Galleries Hayez came from a relatively poor family from Venice. His father was of French origin while his mother, Chiara Torcella, was from Murano. The child Francesco, youngest of five sons, was brought up by his mother sister, who had married Giovanni Binasco, a well-off shipowner and collector of art. From childhood he showed a predisposition for drawing, so his uncle apprenticed him to an art restorer. Later he became a student of the painter Francisco Magiotto with whom he continued his studies for three years. He was admitted to the painting course of the New Academy of Fine Arts in 1806, where he studied under Teodoro Matteini. In 1809 he won a competition from the Academy of Venice for one year of study at the Accademia di San Luca in Rome. He remained in Rome until 1814, then moved to Naples where he was commissioned by Joachim Murat to paint a major work depicting Ulysses at the court of Alcinous. In the mid 1830s he attended the Salotto Maffei salon in Milan, hosted by Clara Maffei (whose portrait Hayez painted for her husband), and he was still in Milan in 1850 when he was appointed director of the Academy of Brera there. Assessment of the career of Hayez is complicated by the fact that he often did not sign or date his works. Often the date indicated from the evidence is that at which the work was acquired or sold, not of its creation. Moreover he often painted the same compositions several times with minimal variations, or even with no variation. His early works show the influence of Ingres and the Nazarene movement. His later work participates in the Classical revival.

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Francesco Hayez Romeo and Juliet oil painting


Romeo and Juliet
Romeo and Juliet (1823) Villa Carlotta, Tremezzo
Painting ID::  59268
Francesco Hayez
Romeo and Juliet
Romeo and Juliet (1823) Villa Carlotta, Tremezzo
   
   
     

Francesco Hayez The Penitent Mary Magdalene oil painting


The Penitent Mary Magdalene
The Penitent Mary Magdalene (1825) Civica Galleria d'Arte Moderna, Milan
Painting ID::  59269
Francesco Hayez
The Penitent Mary Magdalene
The Penitent Mary Magdalene (1825) Civica Galleria d'Arte Moderna, Milan
   
   
     

Francesco Hayez The Patient oil painting


The Patient
The Patient (portrait of Carolina Zucchi) (1825) Museo Civico, Turin
Painting ID::  59270
Francesco Hayez
The Patient
The Patient (portrait of Carolina Zucchi) (1825) Museo Civico, Turin
   
   
     

Francesco Hayez Portrait of Count Ninni oil painting


Portrait of Count Ninni
Portrait of Count Ninni (1825) Private collection, Treviso
Painting ID::  59271
Francesco Hayez
Portrait of Count Ninni
Portrait of Count Ninni (1825) Private collection, Treviso
   
   
     

Francesco Hayez The Ballerina Carlotta Chabert as Venus oil painting


The Ballerina Carlotta Chabert as Venus
The Ballerina Carlotta Chabert as Venus (1830) Museo di Arte Moderna e Contemporanea di Trento e Rovereto, Trento
Painting ID::  59272
Francesco Hayez
The Ballerina Carlotta Chabert as Venus
The Ballerina Carlotta Chabert as Venus (1830) Museo di Arte Moderna e Contemporanea di Trento e Rovereto, Trento
   
   
     

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     Francesco Hayez
     1791-1882 Italian Francesco Hayez Galleries Hayez came from a relatively poor family from Venice. His father was of French origin while his mother, Chiara Torcella, was from Murano. The child Francesco, youngest of five sons, was brought up by his mother sister, who had married Giovanni Binasco, a well-off shipowner and collector of art. From childhood he showed a predisposition for drawing, so his uncle apprenticed him to an art restorer. Later he became a student of the painter Francisco Magiotto with whom he continued his studies for three years. He was admitted to the painting course of the New Academy of Fine Arts in 1806, where he studied under Teodoro Matteini. In 1809 he won a competition from the Academy of Venice for one year of study at the Accademia di San Luca in Rome. He remained in Rome until 1814, then moved to Naples where he was commissioned by Joachim Murat to paint a major work depicting Ulysses at the court of Alcinous. In the mid 1830s he attended the Salotto Maffei salon in Milan, hosted by Clara Maffei (whose portrait Hayez painted for her husband), and he was still in Milan in 1850 when he was appointed director of the Academy of Brera there. Assessment of the career of Hayez is complicated by the fact that he often did not sign or date his works. Often the date indicated from the evidence is that at which the work was acquired or sold, not of its creation. Moreover he often painted the same compositions several times with minimal variations, or even with no variation. His early works show the influence of Ingres and the Nazarene movement. His later work participates in the Classical revival.

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